Composition based on the play by Vampilov A.V. "eldest son

Composition

“A chance, a trifle, a combination of circumstances sometimes become the most dramatic moments in a person’s life,” Vampilov developed this idea in his plays. A. Vampilov was deeply concerned about the problems of morality. His works are based on real life material. The awakening of conscience, the education of a sense of justice, kindness and mercy - these are the main motives of his plays. The plot of the play "Elder Son" is simple. Two young men - a student at the medical institute Volodya Busygin and a trade agent nicknamed Silva (Semyon Sevastyanov) - were brought together by chance at a dance. After seeing home two girls living on the outskirts of the city, they are late for the last train and they have to look for a lodging for the night. The young men call the Sarafanovs' apartment. The resourceful Silva comes up with the idea to come up with a story that Busygin is the eldest son of Andrei Grigoryevich Sarafanov, that he was allegedly born to a woman with whom fate accidentally brought Sarafanov at the end of the war. In order to somehow pass the night, Busygin does not refute this fiction.

Sarafanov’s life didn’t work out: his wife left, things didn’t work out at work - he had to leave the position of an actor-musician and work part-time in an orchestra playing at a funeral. Not all is well with children either. Sarafanov's son, tenth grader Vasenka, is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin.

Andrei Grigorievich is lonely, and therefore becomes attached to the "eldest son." And the one who grew up without a father, in an orphanage, is also drawn to the kind, glorious, but unhappy Sarafanov, besides, he liked Nina. The play has a happy ending. Volodya honestly admits that he is not the son of Sarafanov. Nina does not marry the unloved. Vasenka manages to persuade him not to run away from home. The "elder son" becomes a frequent guest of this family.

The name of the play "Elder Son" is the most successful, since its main character - Volodya Busygin - fully justified the role he took on. He helped Nina and Vasenka understand how much their father means to them, having raised both of them without a mother who left the family. The gentle character of the head of the Sarafanov family is manifested in everything. He takes everything to heart: he is ashamed of his position in front of the children, hides that he left the theater, recognizes the “eldest son”, tries to calm Vasenka, to understand Nina. You can’t call him a loser, since at the very peak of his mental crisis, Sarafanov survived, while others broke down. Unlike the neighbor who refused Busygin and Silva an overnight stay, he would have warmed up the guys, even if they had not invented this story with the “eldest son”. But most importantly, Sarafanov cherishes his children and loves them. Children are callous towards their father. Vasenka is so carried away by his first love that he does not notice anyone except Makarska. But his feeling is selfish, because it is no coincidence that, having become jealous of Natasha for Silva, he sets a fire and does not repent for what he has done. There is little truly lyrical character in this young man's character. Nina is a smart, beautiful girl and, at the same time, practical and prudent. These qualities are manifested, for example, in the choice of a groom. However, these qualities were predominant in her until she fell in love. Love completely changes her life position. Busygin and Silva, having met by chance during a dance, behave corny, courting the first girls they meet, and in this they are similar to each other. But, being in a non-standard situation, the characters manifest themselves in different ways. Volodya Busygin loves people, he is conscientious, sympathetic, sympathetic to someone else's misfortune, obviously, that's why he acts decently. The "positiveness" of aspirations makes him strong and noble.

Silva, like Volodya, is also essentially an orphan: with living parents, he was brought up in a boarding school. Apparently, his father's dislike was reflected in his character. Silva told Volodya about how his father “admonished” him: “Hey, he says, you have the last twenty rubles, go to a tavern, get drunk, make a brawl, but such a brawl that I won’t see you for a year or two.” Vampilov did not accidentally make the origins of the fates of the heroes similar. By this, he wanted to emphasize how important a person’s own choice is, independent of circumstances. Unlike orphan Volodya, "orphan" Silva is cheerful, resourceful, but cynical. His true face is revealed when he "exposes" Volodya, declaring that he is not a son or brother, but a recidivist. Nina's fiancé - Mikhail Kudimov - is an impenetrable man. Such people are found in life, but you will not immediately understand them. “Smiling. He still smiles a lot. Good-natured,” says Vampilov about him. In fact, the word that he gave himself for all occasions is dearest of all to him. He is indifferent to people. This character occupies an insignificant place in the play, however, he is a pronounced type of “correct” people who create a suffocating atmosphere around themselves.

Involved in a family intrigue, Natasha Makarskaya is shown as a decent, but unhappy and lonely person. Vampilov deeply reveals in the play the theme of loneliness, which can bring a person to despair. In the image of the neighbor Sarafanovs, a type of a cautious person, an inhabitant, who is afraid of everything (“looks at them with apprehension, suspicion”, “removes silently and timidly”) and does not interfere in anything is deduced. The problematics and the main idea of ​​the play are stated in the very title of the dramatic work. It was no coincidence that the author replaced the original name "Suburb" with "Elder Son". The main thing is not where the events take place, but who participates in them. To be able to think, to understand each other, to support in difficult times, to show mercy - this is the main idea of ​​the play by Alexander Vampilov. Being kindred in spirit is more than being born. The author does not define the genre of the play. Along with the comic, there are many dramatic moments in the play, especially in the subtext of the statements of Sarafanov, Silva, Makarska.

What does the author affirm in man and what does he deny in him? “It seems that the main question that Vampilov constantly asks is: will you, a man, remain a man? Will you be able to overcome all the false and unkind things that have been prepared for you in many life's trials, where love and betrayal, passion and indifference, sincerity and falsehood, goodness and enslavement have become difficult to differ and oppose ... ”(V. Rasputin).

“A chance, a trifle, a combination of circumstances sometimes become the most dramatic moments in a person’s life,” Vampilov developed this idea in his plays. A. Vampilov was deeply concerned about the problems of morality. His works are based on real life material. The awakening of conscience, the education of a sense of justice, kindness and mercy - these are the main motives of his plays. The plot of the play "Elder Son" is simple. Two young men - a student at the medical institute Volodya Busygin and a trade agent nicknamed Silva (Semyon Sevastyanov) - were brought together by chance at a dance. After seeing home two girls living on the outskirts of the city, they are late for the last train and they have to look for a lodging for the night. The young men call the Sarafanovs' apartment. The resourceful Silva comes up with the idea to come up with a story that Busygin is the eldest son of Andrei Grigoryevich Sarafanov, that he was allegedly born to a woman with whom fate accidentally brought Sarafanov at the end of the war. In order to somehow pass the night, Busygin does not refute this fiction.

Sarafanov’s life didn’t work out: his wife left, things didn’t work out at work - he had to leave the position of an actor-musician and work part-time in an orchestra playing at a funeral. Not all is well with children either. Sarafanov's son, tenth grader Vasenka, is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin.

Andrei Grigorievich is lonely, and therefore becomes attached to the "eldest son." And the one who grew up without a father, in an orphanage, is also drawn to the kind, glorious, but unhappy Sarafanov, besides, he liked Nina. The play has a happy ending. Volodya honestly admits that he is not the son of Sarafanov. Nina does not marry the unloved. Vasenka manages to persuade him not to run away from home. The "elder son" becomes a frequent guest of this family.

The name of the play "Elder Son" is the most successful, since its main character - Volodya Busygin - fully justified the role he took on. He helped Nina and Vasenka understand how much their father means to them, having raised both of them without a mother who left the family. The gentle character of the head of the Sarafanov family is manifested in everything. He takes everything to heart: he is ashamed of his position in front of the children, hides that he left the theater, recognizes the “eldest son”, tries to calm Vasenka, to understand Nina. You can’t call him a loser, since at the very peak of his mental crisis, Sarafanov survived, while others broke down. Unlike the neighbor who refused Busygin and Silva an overnight stay, he would have warmed up the guys, even if they had not invented this story with the “elder son”. But most importantly, Sarafanov cherishes his children and loves them. Children are callous towards their father. Vasenka is so carried away by his first love that he does not notice anyone except Makarska. But his feeling is selfish, because it is no coincidence that, having become jealous of Natasha for Silva, he sets a fire and does not repent for what he has done. There is little truly lyrical character in this young man's character. Nina is a smart, beautiful girl and, at the same time, practical and prudent. These qualities are manifested, for example, in the choice of a groom. However, these qualities were predominant in her until she fell in love. Love completely changes her life position. Busygin and Silva, having met by chance during a dance, behave corny, courting the first girls they meet, and in this they are similar to each other. But, finding themselves in a non-standard situation, the heroes showed

slide 1

Problems of morality in the play by A. Vampilov "The Elder Son"
Everything decent is rash, everything thought out is meanness ... Alexander Vampilov

slide 2

An accident, a trifle, a combination of circumstances sometimes become the most dramatic in a person's life ... Alexander Vampilov
Remember what set of circumstances led the main character and his companion to the house of the Sarafanov family?
K / F "Elder Son" directed by Vitaly Melnikov, starring: Evgeny Leonov - Sarafanov, Nikolai Karachentsov - Busygin, Mikhail Boyarsky - Silva

slide 3

On a cold spring evening, Busygin and Silva, who had just met in a cafe, escort their friends home, hoping to continue their relationship. However, at the very house, the girls give them a turn from the gate, and the young people, realizing that they were late for the train, are looking for an overnight stay. But no one opens up to them. Fear". By chance, they see Sarafanov leaving the house, hear his name and decide to take advantage of this: go to his apartment, introducing themselves as acquaintances, and at least warm up. However, in a conversation with Vasenka, Sarafanov's son, Silva unexpectedly reports that Busygin is his brother and Sarafanov's son. The returned Sarafanov takes this story at face value: in 1945 he had an affair with a girl from Chernigov, and now he wants to believe that Volodya is really his son. In the morning, friends try to escape from the hospitable home, but Busygin feels like a deceiver: "God forbid deceiving someone who believes your every word." And when Sarafanov hands him a family heirloom - a silver snuffbox, which was always passed on to his eldest son - he decides to stay.
The plot of the play

slide 4

The key line of the play
Busygin: “People have thick skin, and it is not so easy to break through it. It is necessary to lie properly, only then will they believe and sympathize with you. They need to be scared or moved to pity.”

slide 5

Let's think!
Why did the Sarafanov family easily believe in their family ties with Busygin?

slide 6

Andrey Grigorievich - the head of the Sarafanov family

Slide 7

Andrey Grigorievich Sarafanov
He writes a musical composition called "All people are brothers." This is not just a declaration for him, but a principle of life.

Slide 8

Can Sarafanov be called a loser?
Let's bet!

Slide 9

Why did Andrei Grigoryevich believe Volodya Busygin and recognize him as his eldest son?
Sarafanov’s life didn’t work out: his wife left, things didn’t work out at work - he had to leave the position of an actor-musician and earn extra money in an orchestra playing at a funeral. The children are also not well. Vasenka's son is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin. Andrey Grigorievich is lonely and therefore becomes attached to the "eldest son."
K / F "Elder Son" directed by Vitaly Melnikov, cast: Evgeny Leonov - Sarafanov, Nikolai Karachentsov - Busygin

Slide 10

Children in the Sarafanov family: Nina
What do you like about Nina? What are you judging her for? How and why does Nina change at the end of the play?

slide 11

Vasenka
How can Vasenka's actions be explained? How does the author's affectionate appeal to him help to understand the character of the hero? Has Vasenka changed at the end of the play?

slide 12

Silvia
Prove that Silva is, in fact, also an orphan with living parents. Where is the cynicism and practicality of Silva manifested?

slide 13

Makarskaya, a neighbor of the Sarafanovs

Slide 14

Mikhail Kudimov - Nina's fiancé
What is your opinion about Nina's fiancé - Mikhail Kudimov? What is disturbing about him?

slide 15

On whose side is the sympathy of the author of the play?
K / F "Elder Son" directed by Vitaly Melnikov, starring: Evgeny Leonov - Sarafanov, Nikolai Karachentsov - Busygin, Natalya Egorova - Nina Sarafanova, Vladimir Izotov - Vasenka Sarafanov, Svetlana Kryuchkova - Natalya, Mikhail Boyarsky - Silva.
On which side are your personal sympathies?

slide 16

Vladimir Busygin
"God forbid to deceive the one who believes your every word."

Slide 17

Volodya Busygin
Did the meeting with the Sarafanov family change Volodya?

Slide 18

How does Volodya Busygin help to revive the family?
K / F "Elder Son" directed by Vitaly Melnikov, starring: Evgeny Leonov - Sarafanov, Nikolai Karachentsov - Busygin, Natalya Egorova - Nina Sarafanova
Volodya Busygin, who grew up without a father, is drawn to the kind, glorious, but unhappy Sarafanov. In addition, he liked the daughter of Andrei Grigoryevich Nina. The play has a happy ending: Volodya honestly admits that he is not Sarafanov's son, Nina does not marry an unloved person, Vasenka manages to be persuaded not to run away from home. The "elder son" becomes a frequent and welcome guest of this family.

Slide 19

What moral problems does A. Vampilov solve in his play?
“It seems that the main question that Vampilov constantly asks is: will you, a man, remain a man? Will you be able to overcome all the deceitful and unkind that is prepared for you in many life's trials, where love and betrayal, passion and indifference, sincerity and falsehood, goodness and enslavement have become difficult to differ and oppose ... ”(V. Rasputin)

Slide 20

The final debunking of the lies of the heroes

slide 21

Let's think!
Why doesn't Sarafanov, even after learning about Busygin's lies, drive him away?

slide 22

End of the play
"What happened - all this does not change anything, Volodya, come here: (Busygin, Nina, Vasenka, Sarafanov - everything is nearby.) Whatever it is, but I consider you my son. (All three). You my children, because I love you. Whether I'm good or bad, I love you, and that's the most important thing."

slide 23

The paradox of the play
People become family, feel responsible for each other only by a lucky chance.

slide 24

Why is "Elder Son" the most appropriate title for the play?
Vampilov used several titles for his work: "Peace in the House of Sarafanov" "Suburb" "Hormons with a Guitar" "The Sarafanov Family" "Elder Son"
The name of the play "The Elder Son" is the most successful, since its main character - Volodya Busygin - fully justified the role of the "Elder Son". He helped Nina and Vasenka understand how much their father means to them, having raised both children without a mother who left the family. Volodya Busygin loves people, he is a conscientious, sympathetic person who sympathizes with someone else's misfortune, which is obviously why he acts decently. The "positiveness" of aspirations makes him strong and noble.

Slide 25

The play by A. Vampilov in the assessment of criticism
Mark Lipovetsky: Rogue Busygin literally becomes the hope and support of a crumbling house. Sarafanov and his children grasp at the idea of ​​​​the eldest son like a straw ... And Busygin suddenly feels responsible, this is expressed in the fact that he not only prolongs the deception started by Silva, but also becomes a participant in intra-family deceptions. The mask, the role, obviously untrue, unexpectedly meets Busygin's inner need to be needed by someone, to belong to the house, to be loved, to be a member of the family.
Vladimir Klimenko: Vampilov gradually and unobtrusively leads us to the idea that the kinship of people in spirit is more important than family ties, and the responsiveness of the heart is the main human dignity ... Busygin's soul is transformed under the influence of a meeting with Sarafanov. An elderly musician, a loser and "blissful", according to his wife who left him, is actually a receptacle of the best feelings.

slide 26

The main thing is not where the events take place, but who participates in them. To be able to listen, to understand another, to support in difficult times - this is the main idea of ​​the play. Being related in spirit is more important than blood relationship.

Slide 27

note
At the end of the play, Andrey Grigoryevich Sarafanov expresses the following thought: “Yes, yes, life is fair and merciful. It makes the heroes doubt, and those who did little, and further those who did nothing, but lived with a pure heart, she will always console ". Sarafanov himself, although he does not have fame, cannot finish a piece of music, he has great life experience: he defended the Fatherland, gave people joy and consolation with his performance of music. His ex-wife, according to Nina's story, once called Andrei Grigoryevich "blessed" in her letters. Blessed - means "eccentric, holy fool." But in another, sublime sense, blessed is "full of supreme happiness." And he achieves the highest happiness due to the fact that he is embraced by selfless service to the cause and people. They are driven by nobility and purity of thoughts. Volodya Busygin's ardent sympathy for Sarafanov arose because both of them can be called people with pure hearts.

Slide 28

What in life is more precious than blood relationship?
More precious than blood kinship, In life, we have the closeness of souls. And the words are not needed, Who understands us with the soul. When only a glance is enough, And everything is clear from a half-word. And loud phrases are not necessary at all, Souls are warm - the basis of all feelings. The disposition of souls to others, Gives birth to strong friendship in us.
Souls mutual attraction, Love giving us, burning with fire. Soul close to us - comrade-in-arms, He will always be able to understand us. Will be able to cheer on a holiday, And calm in a difficult hour. More precious than blood kinship, In life, we have the closeness of souls. And they will become whole: one or two, When she gives birth to love.
Markovtsev Yu.

Slide 29

Material used:
Sources of illustrations:
Photo by A. Vampilov: http://area7.ru/images/culture/ii_105.jpg Cover of the book "The Elder Son": http://bookfinder.su/ViewImage.php?isbn=9785170315390&psfx=b Stills from the film " The eldest son "directed by Vitaly Melnikov: http://www.kinopoisk.ru/picture/749647/
1. Klimenko V. N. Thirst for good. Notes on the work of Alexander Vampilov. - M.: Iris-press, 2007. 2. Lipovetsky M. N. Alexander Vampilov // Modern Russian literature. - M.: Art, 2001. 3. Sushkov BF Alexander Vampilov. - M.: Raduga, 1989. 4. Markovtsev Yu. More expensive than consanguinity: http://www.sunhome.ru/poetry/171778

Literature lesson in grade 10 based on the play by A.V. Vampilov "Elder Son"

Topic:

1. Acquaintance with the biography of A.V. Vampilov.

2. Analysis of the play by A.V. Vampilov "Elder Son".

Target:

  1. To interest students in the personality of A.V. Vampilov.
  2. Encourage students to seriously think about the meaning of life, about the purpose of a person on earth, about responsibility for their deeds and actions.
  3. Cultivate the ability to think and empathize.

Registration:

  1. Exhibition of books with works by A.V. Vampilov, books about Vampilov.
  2. Portrait of A.V. Vampilova, Illustrations for
  3. Fragments from the feature film "The Elder Son".
  4. Presentation about the life and work of A. Vampilov

Preparatory work:

  1. Read the play by A.V. Vampilov "Elder Son".
  2. Think over the answers to the questions, confirm with excerpts from the work
  3. Questions for the analysis of the play "Elder Son"
  1. What is the plot of the play?
  2. Who are its main characters? Minor?
  3. Who can be classified as off-stage characters?
  4. Reveal the meaning of the titles of the play (“Horizon with a Guitar”, “Suburb”, “Elder 1 Son”) Which of them is the most successful?
  5. What conflict is the play based on?
  6. What can you tell about members of the Sarafanov family?
  7. What does their comparison give us to understand the images of Busygin and Silva?
  8. How do you feel about Nina Kudimov's fiancé?
  9. What is the role of Makarska, the neighbor, in the play?
  10. What is the theme and main idea of ​​the play?
  11. What genre can we attribute the play to and why?
  12. How is the work constructed? What is the author's position?
  13. We read the last page and closed the book. What would you say about this play to your friends?
  1. Individual tasks

a) find material related to the biography of Vampilov, read

b) learn the poem by P. Reutsky “Remember me cheerfully”

Teacher:

Alexander Vampilov, cast in bronze, stands in Irkutsk on a low pedestal next to the drama theater. The author of the sculpture, Mikhail Pereyaslavets, did not accidentally place the monument almost on the sidewalk. Every day the Irkutsk people scurry past, and

Vampilov is alive, still young, handsome, as if pouring into this talkative stream. Fate measured out only 35 years for him, and even that was not enough to fully count two days. On Thursday, August 17, 1972, he died on Lake Baikal, not having reached Listvyanka from a dozen meters.

Student: (reading by heart a poem by P. Reutsky “Remember me cheerfully”)

Remember me cheerfully

In a word, the way I was.

What are you, willow, hanging branches,

Or did I not like it?

I don't want to be sad.

I'll go under the wind geek.

Only songs full of sadness

I value all others.

I walked the earth in joy.

I loved her like a god

And no one to me in this smallness

Couldn't refuse...

All mine will stay with me

Both with me and on earth

Someone's heart hurts

In my home village.

Will there be springs, will there be winters,

Sing my song.

Only me, my loved ones,

I won't sleep with you anymore.

What are you, willow, hanging branches,

Or did I not like it?

Remember me cheerfully

In a word, the way I was.

Teacher:

Close friends, and among them the writers Valentin Rasputin, Vyacheslav Shugaev, affectionately called him Sanya.

From this name, the pseudonym A. Sanin was formed, with which the writer signed his first book, "Coincidence of Circumstances."

Pupil:

He reads the beginning of the story: "A chance, a trifle, a combination of circumstances sometimes become the most dramatic moments in a person's life." Vampilov developed this idea in his plays.

Student: (continues the story)

Alexander Valentinovich Vampilov Born in 1937 in the village of Kutulik, Irkutsk Region, into a teacher's family. In his youth, N.V. Gogol and V.G. Belinsky, he liked to play quietly on the guitar the melody of the Yakovlevsky romance to the words of A. Delvig "When I had not yet drunk tears from the cup of being ..."

(Romance sounds)

He loved fishing and hunting.

After leaving school, he studied at the Faculty of History and Philology of Irkutsk University, since 1960 he worked in the editorial office of the regional newspaper "Soviet Youth".

Pupil:

He became interested in dramaturgy, began to write plays.

In 1965, A. Vampilov brought to Moscow, to the Sovremennik Theater, and offered O. N. Efremov the play “Hormons with a Guitar”, which was then called “Suburb”, and in 1972 - “Elder Son”.

During the life of A.V. Vampilov, only two plays were staged - "Farewell in June" (1966) and "Elder Son" (1968). "Duck Hunt" (1970), "Provincial Jokes" (1970), "Last Summer in Chulimsk" (1972). These plays saw the light and were staged after the death of the playwright.

Student:

“It was cloudy, but dry and quiet, when we carried him in our arms to the theater building, where cars were waiting,” recalled V. Shugaev. “We refused the orchestra, remembering Sasha’s sad grin with which he wrote Sarafanov, the musician from the Elder Son, who plays at the funeral.”

A. V. Vampilov was buried in Irkutsk.

Teacher:

We heard a short story about the life of A. Vampilov. And now…

The teacher announces the topic and purpose of the lesson. Students write in a notebook: Alexander Valentinovich Vampilov (1937-1972).

Remember what is called an epigraph. Notebook entry.

As an epigraph to the words of V.G. Rasputin: “The traditional beginnings of Russian literature are well known, they still remain its continuation: the preaching of kindness, conscientiousness, a heightened sense of truth, truth and hope”

And the young playwright was worried about the problems of morality.

What is morality?

Morality - the rules that determine human behavior; spiritual and spiritual qualities necessary for a person in society, as well as the implementation of these rules, human behavior.

A moral person is a deeply conscientious person.

What is conscience?

Conscience is the ability to distinguish between good and evil, to give a moral assessment of one's actions.

Conscience condemns a person if he acts immorally, contrary to the requirements of conscience.

Teacher:

And now we will talk with you on the issues that were proposed in advance.

(Each student has cards with questions for analyzing the play “Elder Son”)

Word work.

During the conversation, the students remember what the plot is? moralizing? suburb? collisions?

The plot is the content of a literary work, the events depicted in it.

Moral teaching - teaching, suggestion of moral rules.

Suburb - a village directly adjacent to the city, but not included in its line.

Collision. A clash of some opposing forces, interests, aspirations.

During the conversation, the students noted: (1-3 questions)

The plot of the play is simple. Two young men - a student at the medical institute Volodya Busygin and a trade agent nicknamed Silva (Semyon Sevostyanova) - were brought together by chance at a dance. They escort home two girls living on the outskirts of the city and are late for the last train. I had to look for accommodation. The young men call the Sarafanovs' apartment. Here, the resourceful Silva came up with the idea to call Busygin the eldest son of Andrei Grigoryevich, allegedly born to a woman with whom fate accidentally brought the hero at the end of the war. Busygin does not reject this fiction. The entire Sarafanov family takes him for a son and older brother.

The fate of the head of the Sarafanov family did not work out: his wife left, things did not go well at work - he had to leave the position of an actor-musician and earn extra money in an orchestra playing at a funeral. Not all is well with children either. Sarafanov's son Vasenka, a tenth grader, is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin.

Andrey Grigorievich is lonely and therefore becomes attached to the "eldest son." And the one who grew up in an orphanage is also drawn to the kind, glorious, but unhappy Sarafanov, besides, he also likes Nina. The end of the play is Prosperous. Volodya honestly admits that he is not the son of Sarafanov, Nina does not marry the unloved. Vasenka manages to persuade him not to run away from home. The “eldest son” becomes a frequent guest of this family

4). According to the students, the name of the play “Elder Son” is the most successful, since its main character, Volodya Busygin, fully justified the role he took on. He helped Nina and Vasenka understand how much their father means to them, having raised both of them without a mother who left the family.

5-6) The gentle nature of the head of the Sarafanov family is felt. He takes everything to heart: he is ashamed of his position in front of the children, hides that he left the theater, recognizes the “eldest son”, tries to calm Vasenka, to understand Nina.

The students conclude that he cannot be called a loser, since at the very peak of his mental crisis, Sarafanov survived when others broke down. Sarafanov values ​​his children.

Comparing the elder Sarafanov with Nina and Vasenka, the children noticed that the children were callous towards their father. Vasenka is so carried away by his first love that he does not notice anyone except Makarska. But his feeling is selfish. After all, it is not by chance that in the finale, having become jealous of Natasha for Silva, he sets a fire, not tormented by his conscience for what he has done. There is little truly masculine in the character of this young man - the students come to this conclusion.

In Nina, a smart, beautiful girl, the guys noted practicality, prudence, which manifested itself, for example, in choosing a groom. But these qualities were the main thing in her until she fell in love.

7) Busygin and Silva. Caught in special circumstances manifest themselves in different ways. Volodya Busygin loves people. He is conscientious, responsive to someone else's misfortune, obviously, that's why he acts decently. Silva, like Volodya, is also essentially an orphan: he was brought up by his living parents in a boarding school. Apparently, his father's dislike was reflected in his character. Vampilov did not accidentally make the origins of the fates of the heroes similar. With this, he wanted to emphasize how important a person’s own choice is, independent of circumstances. Unlike the orphan Volodya, the “orphan” Silva is cheerful, resourceful, but cynical. His true face is revealed when he "exposes" Volodya, declaring that he is not a son or brother, but a recidivist.

8) The students noted the "impenetrable soul" of Mikhail Kudimov, Nina's fiancé. There are such people in life, but you will not immediately understand them. He is indifferent to people. This character occupies an insignificant place in the play, however, he is a clearly pronounced type of “right people” who create an atmosphere around them that suffocates all living things in a person.

9) The author deepens the theme of loneliness in the play, which can bring a person to the brink of despair. (Natasha Makarskaya). In the image of a neighbor, according to the guys, a type of a cautious person, an inhabitant who is afraid of everything, is bred.

10) The problematic and the main idea of ​​the play is to be able to listen, understand each other, support in a difficult moment of life, show mercy. Being kindred in spirit is more than being born.

11) The students noticed that the author does not define the genre of the play. Attributing it to a comedy, many noticed that, along with the comic ones, there are many dramatic moments in the play, especially in the subtext of the characters' statements (Sarafanov, Silva, Makarskaya).

How does the author feel about his main characters? What affirms in man, and what denies in him?

Teacher: Summing up the discussion of the play, I turned to the statement of V.G. Rasputin about the dramatic work of Vampilov: “It seems that the main question that Vampilov constantly asks is: will you, a man, remain a man? Will you be able to overcome all that false and unkind that is prepared for you in many life's trials, where it is difficult to distinguish and opposites - love and betrayal, passion and indifference, sincerity and falsehood, goodness and enslavement ... "

Bibliography:

Vampilov A.V. Dramatic heritage. Plays. Editions and versions of different years. Scenes and monologues. - Irkutsk, 2002.

Vampilov A.V. Duck hunting. Plays. - Irkutsk, 1987.

Alexander Vampilov in memoirs and photographs. - Irkutsk, 1999.

A play by A.V. Vampilov "Elder Son". Materials for the lesson of extracurricular reading.//Russian language and literature, No. 3, 1991.-p.62


Problems of morality in A. Vampilov’s play “The Elder Son” LITERATURE LESSON IN 10 GRADE Author of the presentation: Pechkazova Svetlana Petrovna, Teacher of Russian Language and Literature of the Municipal Educational Institution “Multipurpose Lyceum 1” of the Chamzinsky Municipal District of the Republic of Mordovia


The purpose of the lesson: to acquaint with the history of the creation of the play by A Vampilov "The Elder Son", to help understand the main idea of ​​the work, to identify the author's and personal attitude towards the characters, by analyzing the work to bring up moral concepts: kindness, decency, nobility.


Everything decent is rash, everything deliberate is meanness ... Alexander Vampilov Alexander Valentinovich Vampilov Russian playwright, prose writer, publicist ()


The history of the creation of the play "The Elder Son" The earliest recordings by A. Vampilov related to the play "The Elder Son" date back to 1964: the title is "Peace in the House of Sarafanov", future characters: Alexei Nikolaevich Sarafanov retired colonel, 50 years old, kind-hearted, cheerful , understood everything and forgave everything, a gentle person, Olenka is his daughter, a girl who dreams of a stage, Vasya is his son, a ninth-grader, Zabrodin is a student on vacation, 22 years old, a tramp and a fatalist (embittered). Kemerovo typist, Chistyakov engineer, Olenka's fiancé. The first version of the play was created in 1965 and published in excerpts under the title "Grooms" on May 20, 1965 in the newspaper "Soviet Youth". In 1967 the play was called "Suburb" and in 1968 it was published in the anthology "Angara".


An accident, a trifle, a combination of circumstances sometimes become the most dramatic in a person's life ... Alexander Vampilov Do you remember what combination of circumstances brought the main character and his companion to the house of the Sarafanov family? K / F "Elder Son" directed by Vitaly Melnikov, starring: Evgeny Leonov Sarafanov, Nikolay Karachentsov Busygin, Mikhail Boyarsky Silva


On a cold spring evening, Busygin and Silva, who had just met in a cafe, escort their friends home, hoping to continue their relationship. However, at the very house, the girls give them a turn from the gate, and the young people, realizing that they were late for the train, are looking for an overnight stay. But no one opens up to them. Fear". By chance, they see Sarafanov leaving the house, hear his name and decide to take advantage of this: go to his apartment, introducing themselves as acquaintances, and at least warm up. However, in a conversation with Vasenka, Sarafanov's son, Silva unexpectedly reports that Busygin is his brother and Sarafanov's son. The returned Sarafanov takes this story at face value: in 1945 he had an affair with a girl from Chernigov, and now he wants to believe that Volodya is really his son. In the morning, friends try to escape from the hospitable home, but Busygin feels like a deceiver: "God forbid deceiving someone who believes your every word." And when Sarafanov gives him a family heirloom silver snuffbox, which was always passed on to the eldest son, he decides to stay. The plot of the play


Why did Andrei Grigoryevich believe Volodya Busygin and recognize him as his eldest son? Can you call him a loser? Sarafanov’s life didn’t work out: his wife left, things didn’t work out at work, he had to leave the position of an actor-musician and work part-time in an orchestra playing at a funeral. The children are also not well. Vasenka's son is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin. Andrey Grigorievich is lonely and therefore becomes attached to the "eldest son." Film "Elder Son" directed by Vitaly Melnikov, cast: Evgeny Leonov Sarafanov, Nikolai Karachentsov Busygin


How does Volodya Busygin help to revive the family? K / F "Elder Son" directed by Vitaly Melnikov, starring: Evgeny Leonov Sarafanov, Nikolai Karachentsov Busygin, Natalya Egorova Nina Sarafanova Volodya Busygin, who grew up without a father, in an orphanage, reaches out to the kind, glorious, but unhappy Sarafanov. Besides, he liked daughter of Andrei Grigorievich Nina. The play has a happy ending: Volodya honestly admits that he is not Sarafanov's son, Nina does not marry an unloved person, Vasenka manages to be persuaded not to run away from home. The "elder son" becomes a frequent and welcome guest of this family.


On whose side is the sympathy of the author of the play? Film "The Elder Son" directed by Vitaly Melnikov, starring: Evgeny Leonov Sarafanov, Nikolai Karachentsov Busygin, Natalya Egorova Nina Sarafanova, Vladimir Izotov Vasenka Sarafanov, Svetlana Kryuchkova Natalya, Mikhail Boyarsky Silva. On which side are your personal sympathies?


What moral problems does A. Vampilov solve in his play? “It seems that the main question that Vampilov constantly asks is: will you, a man, remain a man? Will you be able to overcome all the deceitful and unkind that is prepared for you in many life's trials, where love and betrayal, passion and indifference, sincerity and falsehood, goodness and enslavement have become difficult to differ and oppose ... ”(V. Rasputin)


Why is "Elder Son" the most appropriate title for the play? Vampilov used several names for his work: “Peace in the House of Sarafanov” “Suburb” “Hormons with a Guitar” “The Sarafanov Family” “Elder Son” The name of the play “Elder Son” is the most successful, since its main character Volodya Busygin fully himself the role of "elder son". He helped Nina and Vasenka understand how much their father means to them, having raised both children without a mother who left the family. Volodya Busygin loves people, he is a conscientious, sympathetic person who sympathizes with someone else's misfortune, which is obviously why he acts decently. The "positiveness" of aspirations makes him strong and noble.


A. Vampilov's play as assessed by critics Mark Lipovetsky: Rogue Busygin literally becomes the hope and support of a crumbling house. Sarafanov and his children grasp at the idea of ​​​​the eldest son like a straw ... And Busygin suddenly feels responsible, this is expressed in the fact that he not only prolongs the deception started by Silva, but also becomes a participant in intra-family deceptions. The mask, the role, obviously untrue, unexpectedly meets Busygin's inner need to be needed by someone, to belong to the house, to be loved, to be a member of the family. Vladimir Klimenko: Vampilov gradually and unobtrusively leads us to the idea that the kinship of people in spirit is more important than family ties, and the responsiveness of the heart is the main human dignity ... Busygin's soul is transformed under the influence of a meeting with Sarafanov. An elderly musician, a loser and "blissful", according to his wife who left him, is actually a receptacle of the best feelings.


What in life is more precious than blood relationship? More precious than blood kinship, In life, we have the closeness of souls. And the words are not needed, Who understands us with the soul. When only a glance is enough, And everything is clear from a half-word. And loud phrases are not necessary at all, Souls are the basis of the warmth of all feelings. The disposition of souls to others, Gives birth to strong friendship in us. Souls mutual attraction, Love giving us, burning with fire. Soul close to us comrade-in-arms, He will always be able to understand us. Will be able to cheer on a holiday, And calm in a difficult hour. More precious than blood kinship, In life, we have the closeness of souls. And they will become whole: one two, When she gives birth to love. Markovtsev Yu.


Material used: Sources of illustrations: 1. Photo by A. Vampilov: 2. Cover of the book “Elder Son”: Frames from the movie “Elder Son” directed by Vitaly Melnikov: Klimenko V. N. Thirst for goodness. Notes on the work of Alexander Vampilov. - M .: Iris-press, Lipovetsky M. N. Alexander Vampilov // Modern Russian literature. - M.: Art, Sushkov B. F. Alexander Vampilov. - M .: Rainbow, Markovtsev Yu. More expensive than consanguinity: